CONSUMERS

Only When Passion is Created is Luxury Worth the Price Tag

by

Lilian M Raji

|

This is the featured image caption
Credit: This is the featured image credit

Lilian M Raji, president of The Lilian Raji Agency, explores the relationship between expensive and luxurious, and asks when is luxury really worth it?

Over the last decade, collaborations between luxury brands and contemporary artists have gone beyond mere artistic partnerships towards a new kind of luxury branding.

PARIS – Art and fashion have always developed side by side, for fashion, like art, often gives visual expression to the cultural zeitgeist. During the 1920s, Salvador Dalí created dresses for Coco Chanel and Elsa Schiapparelli. In the 1930s, Ferragamo’s shoes commissioned designs for advertisements from Futurist painter Lucio Venna, while Gianni Versace commissioned works from artists such as Alighiero Boetti and Roy Lichtenstein for the launch of his collections. Yves Saint Laurent’s vast art collection, recently auctioned at Christie’s in Paris, testified to his great love of art and revealed the influence of a variety of artists on his own designs.

In the 1980s, relationships between luxury brands and artists were advanced when Alain Dominique Perrin created the Fondation Cartier. In the Fondation Cartier pour l’Art Contemporain, a book marking the foundation’s 20th anniversary, Perrin says he makes “a connection between all the different sorts of arts, and luxury goods are a kind of art. Luxury goods are handicrafts of art, applied art.”

The Fondation Cartier pour l’Art Contemparain building in Paris

Lilian M Raji, president of The Lilian Raji Agency, explores the relationship between expensive and luxurious, and asks when is luxury really worth it?

One of New York’s priciest restaurants, Masa, but does the price make it a luxury experience?

I recently read the New York Times restaurant review for Masa, arguably one of the best Japanese restaurants in New York City. The article caught my eye as Masa made our short list when my company was tasked with putting together a press dinner for S.T. Dupont. As the CEO of the 112 year old French company was flying in from Paris to attend this affair, we were determined to have the dinner at one of New York’s finest.

But Masa’s $40,000 demand for a dinner that would serve just 15 people put it out of the running as other 2 and 3 Michelin-rated restaurants Per Se, Jean George, Le Bernadin and Gordon Ramsay at The London Hotel came closer to our budget. Anyway, this was my first experience with Masa, and I haven’t since forgotten it. So when I ran across this review where Masa lost one of its four prized stars, I paid close attention.

“ Positive buying experiences will always trump any misstep by a company ”

Apparently, Masa had earned the four stars in its first year of business. The reviewer Sam Sifton never questions the quality his meal, describing his dining as one spent “in a fog of pleasure, sitting dumbfounded on the shores of excess”. What cost Masa one of its stars was the experiences Mr. Sifton encountered over multiple meals in a 12 month span. The service received, he suggests, was not befitting of a $1,500 dinner for two, despite the flawlessness of the meal itself.

To quote, “Bruised by recession, wizened by experience, gun-shy about the future, New York City now demands of its four-star restaurants an understanding that culture at its highest must never feel transactional, whatever its cost. We ascend to these heavens for total respite from the world below, for extraordinary service and luxuriant atmosphere as much as for the quality of the food prepared.” Thus begs the questions: when is luxury worth it?

Fine dining, Gordon Ramsay at The London, New York City

To be sure, owning a Master Complication from a timepiece manufacturer such as Jaeger LeCoultre, with its many intricacies and dizzying display of horlogerie know-how is enough to make a salivating timepiece aficionado spend in excess to acquire such a masterpiece. But if this same aficionado visits a Jaeger LeCoultre salon only to be mistreated by the staff, say because he was ill dressed, would that not change his perception of the brand and make him reconsider spending his money elsewhere?

Having worked in luxury retail before, this hypothesis is one of frequent discussion. The most loyal customers were won to sales associates who choose not to judge a book by its cover, and instead offer the same level of service often reserved for the obviously wealthy to everyone encountered. And often, the story shared by the particular customer is how he’s frequently mistreated by other luxury sales associates because he didn’t dress the part. The sales associate who looked beyond this to treat him exceptionally well now has the loyalty of a very wealthy benefactor.

“ Loyalty is the name of the game when trying to create brand preference in the heart of luxury buyers ”

Times have changed considerably. It no longer behooves anyone to maintain an attitude of snobbery and exclusion when selling luxury products. That luxury will forever be defined by exclusivity is a given, yet luxury brands must also embrace a new E-word: experience.

In its own way, the recession ensured only the strongest luxury brands survived after an era of bastardized concepts of luxury and designer branded luxury toilet paper; yet companies remaining need to take Mr. Sifton’s review as a note of caution.

Positive buying experiences will always trump any misstep by a company. Positive buying experiences always make spending just a little more money worth it. In my retail experience, I was often told by my luxury clients that they hadn’t initially intended on spending as much as they did; but I somehow made them feel comfortable enough to trust my lead and accept my recommendation that perhaps the wife would prefer a Cartier Tank American in pink gold to the stainless steel Tank Francais.

Private meeting spaces, catered by Gordon Ramsay at The London

And when my clients had issues with getting a watch serviced, my responding quickly to their concerns kept their continued loyalty. Mind you, I didn’t go to any watch company’s service department and ring their ears – I only made my clients feel they were valued beyond just their purchase.

Loyalty is the name of the game when trying to create brand preference in the heart of luxury buyers. And so for a purchase to be worth it – worth it enough for a buyer to continue buying additional merchandise from that same company – the experience must be worth it. Otherwise, despite the painstaking effort a company enlists to produce a masterpiece, the item will always remain just an inanimate object until the company can evoke emotion from luxury buyers. Only when passion is created is luxury worth it.

“ Luxury brands must embrace a new E-word: experience ”

As for the location of our press dinner mentioned earlier in this piece, we chose Gordon Ramsay at The London Hotel instead of the three other French restaurants on our list. The selection wasn’t based on price, as all of them were comparable, save for one that bid significantly less than Gordon Ramsay.

Truth be told, the obvious choice should have been a French restaurant given the legacy of our client’s brand. Yet in our dealing with Gordon Ramsay’s Director of Sales and Marketing, we were seduced by our experience with her during the bidding process. Ms. Josipovic made us feel passionate about the British restaurant, and convinced us to throw away the obvious. And in turn, she helped us deliver an extraordinary event that left no one questioning our choice of locale.

Luxury brands must strive for this type of seduction. Not just in their advertising, but also instill it in every representative of the brand who comes in contact with potential buyers – from the sales associates who handle the final transaction to the service people who are called on for after purchase needs.

Lilian M Raji
Lilian M Raji

President

Lilian Raji began her career in public relations as an intern at a local boutique agency, where she was quickly retained as a contract account executive to manage client accounts including The Palm Restaurant, Q100 Radio, The Hamilton Crowne Plaza, IndeCorp Hotels Group and Vespa Motor Scooters. Major accomplishments on behalf of the agency include coordinating a national book tour for Simon Property Group’s sponsorship of the acclaimed veteran’s book “Ordinary Heroes”; executing a promotional event for The Palm Restaurant and the Atlanta Financial Center that increased lunch traffic at the Palm by 35%; successfully negotiating feature placement of Raffles International Hotels & Resorts’ Beverly Hills property on Live with Regis & Kelly, W Magazine’s coveted anniversary spa issue, and Spa Finder magazine; organizing a media tour of several Raffles properties in Latin America; and generating interest of both the Oprah Winfrey Show to have Raffles’ Chicago property become a preferred hotel and the Style Network to shoot programs at their Beverly Hills property. She left the boutique to begin freelancing while working simultaneously at Tourneau, the largest luxury watch retailer in the world. Lilian first learned what motivated luxury purchases while working at Tourneau. The second highest producer in the Atlanta store, she routinely sold expensive Swiss watches to an elite clientele who saw these purchases as necessary luxuries. Her interim at Tourneau placed her at a great vantage point to study why people indulge in luxury purchases. In January 2005, Lilian left Tourneau to launch The Lilian Raji Agency, a company defined by her passion for building relationships between customers who value luxury and the luxury brands who cater to them. A year later, she was named the International Emerging Leader of the Year by the 500,000 member organization, eWomenNetwork. Lilian has worked with Girard Perreguex and Tourneau in their sponsorship of the 2004 Ferrari Challenge at Road Atlanta, where 80% of the Challenge attendees later visited her at Tourneau. She managed promotions and publicity for InterContinental Hotels Group “Win a Trip to Tuscany” Raffle, securing $13,000 in raffle sales in less than six weeks; chaired a subcommittee for the American Heart Association’s 2005 Atlanta Heart Ball, where she personally raised $260,000 in jewelry donations for the live and silent auctions; opened lines of communication between Mark Edge Jewelry and the Elton John AIDS Foundation for Mark Edge to become a signature Foundation designer; and increased ad sales by 165% for the southeast chapter of the National Academy of Television, Arts and Sciences 2005 EMMY Awards while decreasing expenses by securing sponsors. She’s served on event committees for Ted Turner’s Captain Planet Foundation; UNICEF; Southern Center for International Studies; American Heart Association; and American Cancer Society’s annual Cattle Baron’s Ball. Her proudest accomplishment has been helping a disabled young man raise $60,000 in four weeks for The Emory Ataxia Center at Emory University School of Medicine through the “Swimming for Ataxia” Fundraiser. Lilian continues to be submerged in studying the buying habits of luxury buyers, and discovery of how better communication strategies can influence their purchase decisions. She routinely meets with the French Trade Commission to advise on best marketing strategies for prestige French companies looking to enter the American market. Her insights have resulted in measurable ROI for clients of The Lilian Raji Agency, including French luxury goods company ST Dupont, Swiss watch manufacturer Dubey & Schaldenbrand, French jewelry manufacturer Mathon Paris and several others.

CONSUMERS

Only When Passion is Created is Luxury Worth the Price Tag

by

Lilian M Raji

|

This is the featured image caption
Credit : This is the featured image credit

Lilian M Raji, president of The Lilian Raji Agency, explores the relationship between expensive and luxurious, and asks when is luxury really worth it?

Over the last decade, collaborations between luxury brands and contemporary artists have gone beyond mere artistic partnerships towards a new kind of luxury branding.

PARIS – Art and fashion have always developed side by side, for fashion, like art, often gives visual expression to the cultural zeitgeist. During the 1920s, Salvador Dalí created dresses for Coco Chanel and Elsa Schiapparelli. In the 1930s, Ferragamo’s shoes commissioned designs for advertisements from Futurist painter Lucio Venna, while Gianni Versace commissioned works from artists such as Alighiero Boetti and Roy Lichtenstein for the launch of his collections. Yves Saint Laurent’s vast art collection, recently auctioned at Christie’s in Paris, testified to his great love of art and revealed the influence of a variety of artists on his own designs.

In the 1980s, relationships between luxury brands and artists were advanced when Alain Dominique Perrin created the Fondation Cartier. In the Fondation Cartier pour l’Art Contemporain, a book marking the foundation’s 20th anniversary, Perrin says he makes “a connection between all the different sorts of arts, and luxury goods are a kind of art. Luxury goods are handicrafts of art, applied art.”

The Fondation Cartier pour l’Art Contemparain building in Paris

Lilian M Raji, president of The Lilian Raji Agency, explores the relationship between expensive and luxurious, and asks when is luxury really worth it?

One of New York’s priciest restaurants, Masa, but does the price make it a luxury experience?

I recently read the New York Times restaurant review for Masa, arguably one of the best Japanese restaurants in New York City. The article caught my eye as Masa made our short list when my company was tasked with putting together a press dinner for S.T. Dupont. As the CEO of the 112 year old French company was flying in from Paris to attend this affair, we were determined to have the dinner at one of New York’s finest.

But Masa’s $40,000 demand for a dinner that would serve just 15 people put it out of the running as other 2 and 3 Michelin-rated restaurants Per Se, Jean George, Le Bernadin and Gordon Ramsay at The London Hotel came closer to our budget. Anyway, this was my first experience with Masa, and I haven’t since forgotten it. So when I ran across this review where Masa lost one of its four prized stars, I paid close attention.

“ Positive buying experiences will always trump any misstep by a company ”

Apparently, Masa had earned the four stars in its first year of business. The reviewer Sam Sifton never questions the quality his meal, describing his dining as one spent “in a fog of pleasure, sitting dumbfounded on the shores of excess”. What cost Masa one of its stars was the experiences Mr. Sifton encountered over multiple meals in a 12 month span. The service received, he suggests, was not befitting of a $1,500 dinner for two, despite the flawlessness of the meal itself.

To quote, “Bruised by recession, wizened by experience, gun-shy about the future, New York City now demands of its four-star restaurants an understanding that culture at its highest must never feel transactional, whatever its cost. We ascend to these heavens for total respite from the world below, for extraordinary service and luxuriant atmosphere as much as for the quality of the food prepared.” Thus begs the questions: when is luxury worth it?

Fine dining, Gordon Ramsay at The London, New York City

To be sure, owning a Master Complication from a timepiece manufacturer such as Jaeger LeCoultre, with its many intricacies and dizzying display of horlogerie know-how is enough to make a salivating timepiece aficionado spend in excess to acquire such a masterpiece. But if this same aficionado visits a Jaeger LeCoultre salon only to be mistreated by the staff, say because he was ill dressed, would that not change his perception of the brand and make him reconsider spending his money elsewhere?

Having worked in luxury retail before, this hypothesis is one of frequent discussion. The most loyal customers were won to sales associates who choose not to judge a book by its cover, and instead offer the same level of service often reserved for the obviously wealthy to everyone encountered. And often, the story shared by the particular customer is how he’s frequently mistreated by other luxury sales associates because he didn’t dress the part. The sales associate who looked beyond this to treat him exceptionally well now has the loyalty of a very wealthy benefactor.

“ Loyalty is the name of the game when trying to create brand preference in the heart of luxury buyers ”

Times have changed considerably. It no longer behooves anyone to maintain an attitude of snobbery and exclusion when selling luxury products. That luxury will forever be defined by exclusivity is a given, yet luxury brands must also embrace a new E-word: experience.

In its own way, the recession ensured only the strongest luxury brands survived after an era of bastardized concepts of luxury and designer branded luxury toilet paper; yet companies remaining need to take Mr. Sifton’s review as a note of caution.

Positive buying experiences will always trump any misstep by a company. Positive buying experiences always make spending just a little more money worth it. In my retail experience, I was often told by my luxury clients that they hadn’t initially intended on spending as much as they did; but I somehow made them feel comfortable enough to trust my lead and accept my recommendation that perhaps the wife would prefer a Cartier Tank American in pink gold to the stainless steel Tank Francais.

Private meeting spaces, catered by Gordon Ramsay at The London

And when my clients had issues with getting a watch serviced, my responding quickly to their concerns kept their continued loyalty. Mind you, I didn’t go to any watch company’s service department and ring their ears – I only made my clients feel they were valued beyond just their purchase.

Loyalty is the name of the game when trying to create brand preference in the heart of luxury buyers. And so for a purchase to be worth it – worth it enough for a buyer to continue buying additional merchandise from that same company – the experience must be worth it. Otherwise, despite the painstaking effort a company enlists to produce a masterpiece, the item will always remain just an inanimate object until the company can evoke emotion from luxury buyers. Only when passion is created is luxury worth it.

“ Luxury brands must embrace a new E-word: experience ”

As for the location of our press dinner mentioned earlier in this piece, we chose Gordon Ramsay at The London Hotel instead of the three other French restaurants on our list. The selection wasn’t based on price, as all of them were comparable, save for one that bid significantly less than Gordon Ramsay.

Truth be told, the obvious choice should have been a French restaurant given the legacy of our client’s brand. Yet in our dealing with Gordon Ramsay’s Director of Sales and Marketing, we were seduced by our experience with her during the bidding process. Ms. Josipovic made us feel passionate about the British restaurant, and convinced us to throw away the obvious. And in turn, she helped us deliver an extraordinary event that left no one questioning our choice of locale.

Luxury brands must strive for this type of seduction. Not just in their advertising, but also instill it in every representative of the brand who comes in contact with potential buyers – from the sales associates who handle the final transaction to the service people who are called on for after purchase needs.

Lilian M Raji
Lilian M Raji

President

Lilian Raji began her career in public relations as an intern at a local boutique agency, where she was quickly retained as a contract account executive to manage client accounts including The Palm Restaurant, Q100 Radio, The Hamilton Crowne Plaza, IndeCorp Hotels Group and Vespa Motor Scooters. Major accomplishments on behalf of the agency include coordinating a national book tour for Simon Property Group’s sponsorship of the acclaimed veteran’s book “Ordinary Heroes”; executing a promotional event for The Palm Restaurant and the Atlanta Financial Center that increased lunch traffic at the Palm by 35%; successfully negotiating feature placement of Raffles International Hotels & Resorts’ Beverly Hills property on Live with Regis & Kelly, W Magazine’s coveted anniversary spa issue, and Spa Finder magazine; organizing a media tour of several Raffles properties in Latin America; and generating interest of both the Oprah Winfrey Show to have Raffles’ Chicago property become a preferred hotel and the Style Network to shoot programs at their Beverly Hills property. She left the boutique to begin freelancing while working simultaneously at Tourneau, the largest luxury watch retailer in the world. Lilian first learned what motivated luxury purchases while working at Tourneau. The second highest producer in the Atlanta store, she routinely sold expensive Swiss watches to an elite clientele who saw these purchases as necessary luxuries. Her interim at Tourneau placed her at a great vantage point to study why people indulge in luxury purchases. In January 2005, Lilian left Tourneau to launch The Lilian Raji Agency, a company defined by her passion for building relationships between customers who value luxury and the luxury brands who cater to them. A year later, she was named the International Emerging Leader of the Year by the 500,000 member organization, eWomenNetwork. Lilian has worked with Girard Perreguex and Tourneau in their sponsorship of the 2004 Ferrari Challenge at Road Atlanta, where 80% of the Challenge attendees later visited her at Tourneau. She managed promotions and publicity for InterContinental Hotels Group “Win a Trip to Tuscany” Raffle, securing $13,000 in raffle sales in less than six weeks; chaired a subcommittee for the American Heart Association’s 2005 Atlanta Heart Ball, where she personally raised $260,000 in jewelry donations for the live and silent auctions; opened lines of communication between Mark Edge Jewelry and the Elton John AIDS Foundation for Mark Edge to become a signature Foundation designer; and increased ad sales by 165% for the southeast chapter of the National Academy of Television, Arts and Sciences 2005 EMMY Awards while decreasing expenses by securing sponsors. She’s served on event committees for Ted Turner’s Captain Planet Foundation; UNICEF; Southern Center for International Studies; American Heart Association; and American Cancer Society’s annual Cattle Baron’s Ball. Her proudest accomplishment has been helping a disabled young man raise $60,000 in four weeks for The Emory Ataxia Center at Emory University School of Medicine through the “Swimming for Ataxia” Fundraiser. Lilian continues to be submerged in studying the buying habits of luxury buyers, and discovery of how better communication strategies can influence their purchase decisions. She routinely meets with the French Trade Commission to advise on best marketing strategies for prestige French companies looking to enter the American market. Her insights have resulted in measurable ROI for clients of The Lilian Raji Agency, including French luxury goods company ST Dupont, Swiss watch manufacturer Dubey & Schaldenbrand, French jewelry manufacturer Mathon Paris and several others.

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