EVENTS

LS Keynote 2018 Speaker Introduction: Pablo Mauron, DLG (Digital Luxury Group)

by

Meaghan Corzine

|

This is the featured image caption
Credit: This is the featured image credit

Ahead of the Luxury Society Keynote on 28 November, we sat down with speaker Pablo Mauron, Partner and Managing Director China at DLG, about the importance of the user experience offline and online and how luxury brands can best adapt to the ever-present digital age.

Over the last decade, collaborations between luxury brands and contemporary artists have gone beyond mere artistic partnerships towards a new kind of luxury branding.

PARIS – Art and fashion have always developed side by side, for fashion, like art, often gives visual expression to the cultural zeitgeist. During the 1920s, Salvador Dalí created dresses for Coco Chanel and Elsa Schiapparelli. In the 1930s, Ferragamo’s shoes commissioned designs for advertisements from Futurist painter Lucio Venna, while Gianni Versace commissioned works from artists such as Alighiero Boetti and Roy Lichtenstein for the launch of his collections. Yves Saint Laurent’s vast art collection, recently auctioned at Christie’s in Paris, testified to his great love of art and revealed the influence of a variety of artists on his own designs.

In the 1980s, relationships between luxury brands and artists were advanced when Alain Dominique Perrin created the Fondation Cartier. In the Fondation Cartier pour l’Art Contemporain, a book marking the foundation’s 20th anniversary, Perrin says he makes “a connection between all the different sorts of arts, and luxury goods are a kind of art. Luxury goods are handicrafts of art, applied art.”

The Fondation Cartier pour l’Art Contemparain building in Paris

Ahead of the Luxury Society Keynote on 28 November, we sat down with speaker Pablo Mauron, Partner and Managing Director China at DLG, about the importance of the user experience offline and online and how luxury brands can best adapt to the ever-present digital age.

What are some of the challenges faced by luxury e-commerce platforms in China today?

E-commerce platforms have obvious strengths and definitely offer advantages to luxury brands, starting with audience and traffic but also infrastructure, services and experiences offered. But at the same time, luxury brands are still concerned with association, not only with the platform but also with other brands on the platform that might not fit their brand positioning. Additionally, the business models offered by luxury and premium e-commerce platforms vary greatly, from consignment to full ownership, and potentially have a great impact on the room brands have in manoeuvring that platform. These platforms may hesitate when it comes to deciding how to promote the brand, its products, and how to integrate it in the platform marketing and communication plan.

Are there any trends you've seen that have been particularly impactful when it comes to innovation in e-commerce platforms?

The broad concept of New Retail is one of these trends, but it is not the only one. The platforms are the ones driving innovation and they are the ones that have shaped the habits and expectations of consumers without necessarily waiting on luxury brands to catch on and/or integrate the same principles. Today, we see e-commerce pure players not only driving innovation in terms of logistics, big data and AI, but also in more traditional areas such as offline retail experiences and CRM.

Let's discuss the importance of the user experience online and offline. How has this evolved over the last five years? What are the most crucial demands when it comes to the customer journey for luxury brands?

The consumer is China is already digitalised. Consumers don't visit a store without a phone in hand, scanning products or bar codes, taking pictures, and cross-checking product information and details across various platforms. While this creates a new host of concerns for traditional retailers, it also brings about significant opportunities. If retailers start building experiences that take into consideration the way these young consumers shop, a great deal of insights can be gleaned from the data collected through this exercise. Based on that, even more experiences can be built to suit their needs and preferences.

What are some of the things shoppers expect of luxury online retail platforms today?

The usual mix consists of choice, convenience and price. But increasingly, the overall experience plays a stronger and stronger differentiating factor.

How does a brand decipher what platform to start with?

There is no "one size fits all" answer, as it all depends on the brand's objectives and its situation in China. While this topic is often reduced to considerations regarding traffic and audience, brands should also consider the platforms in regards to what they can offer in terms of logistics, experience, promotion or innovation.

What are some of the biggest misconceptions that luxury brands have when it comes to their e-commerce approach?

Launching on an e-commerce platform neither creates demand nor builds brand equity. The right merchandise and activation does. Also, because most of the luxury brands are at an early stage of their development, they tend to think that a single partner is required to develop e-commerce. Offline distribution strategies are complex and often executed together with numerous partners, proper merchandising and well thought-out product tiering strategies – there is no reason for an e-commerce approach to be addressed any differently.

Learn more about e-commerce strategy at the Luxury Society Keynote 2018. Seats are going fast, so register for a spot here now! We can also be reached at [email protected] for all other enquiries.

Meaghan Corzine
Meaghan Corzine

Writer at Luxury Society

Before joining the editorial team at Luxury Society, Meaghan was based out of New York City writing for CBS New York and NBC Universal. A Washington-D.C. native, Meaghan also wrote for Washington Life Magazine while studying journalism at university. After moving to Switzerland in 2016, she went on to contribute to Metropolitan Magazine and CBS affiliates before joining the LS team.

EVENTS

LS Keynote 2018 Speaker Introduction: Pablo Mauron, DLG (Digital Luxury Group)

by

Meaghan Corzine

|

This is the featured image caption
Credit : This is the featured image credit

Ahead of the Luxury Society Keynote on 28 November, we sat down with speaker Pablo Mauron, Partner and Managing Director China at DLG, about the importance of the user experience offline and online and how luxury brands can best adapt to the ever-present digital age.

Over the last decade, collaborations between luxury brands and contemporary artists have gone beyond mere artistic partnerships towards a new kind of luxury branding.

PARIS – Art and fashion have always developed side by side, for fashion, like art, often gives visual expression to the cultural zeitgeist. During the 1920s, Salvador Dalí created dresses for Coco Chanel and Elsa Schiapparelli. In the 1930s, Ferragamo’s shoes commissioned designs for advertisements from Futurist painter Lucio Venna, while Gianni Versace commissioned works from artists such as Alighiero Boetti and Roy Lichtenstein for the launch of his collections. Yves Saint Laurent’s vast art collection, recently auctioned at Christie’s in Paris, testified to his great love of art and revealed the influence of a variety of artists on his own designs.

In the 1980s, relationships between luxury brands and artists were advanced when Alain Dominique Perrin created the Fondation Cartier. In the Fondation Cartier pour l’Art Contemporain, a book marking the foundation’s 20th anniversary, Perrin says he makes “a connection between all the different sorts of arts, and luxury goods are a kind of art. Luxury goods are handicrafts of art, applied art.”

The Fondation Cartier pour l’Art Contemparain building in Paris

Ahead of the Luxury Society Keynote on 28 November, we sat down with speaker Pablo Mauron, Partner and Managing Director China at DLG, about the importance of the user experience offline and online and how luxury brands can best adapt to the ever-present digital age.

What are some of the challenges faced by luxury e-commerce platforms in China today?

E-commerce platforms have obvious strengths and definitely offer advantages to luxury brands, starting with audience and traffic but also infrastructure, services and experiences offered. But at the same time, luxury brands are still concerned with association, not only with the platform but also with other brands on the platform that might not fit their brand positioning. Additionally, the business models offered by luxury and premium e-commerce platforms vary greatly, from consignment to full ownership, and potentially have a great impact on the room brands have in manoeuvring that platform. These platforms may hesitate when it comes to deciding how to promote the brand, its products, and how to integrate it in the platform marketing and communication plan.

Are there any trends you've seen that have been particularly impactful when it comes to innovation in e-commerce platforms?

The broad concept of New Retail is one of these trends, but it is not the only one. The platforms are the ones driving innovation and they are the ones that have shaped the habits and expectations of consumers without necessarily waiting on luxury brands to catch on and/or integrate the same principles. Today, we see e-commerce pure players not only driving innovation in terms of logistics, big data and AI, but also in more traditional areas such as offline retail experiences and CRM.

Let's discuss the importance of the user experience online and offline. How has this evolved over the last five years? What are the most crucial demands when it comes to the customer journey for luxury brands?

The consumer is China is already digitalised. Consumers don't visit a store without a phone in hand, scanning products or bar codes, taking pictures, and cross-checking product information and details across various platforms. While this creates a new host of concerns for traditional retailers, it also brings about significant opportunities. If retailers start building experiences that take into consideration the way these young consumers shop, a great deal of insights can be gleaned from the data collected through this exercise. Based on that, even more experiences can be built to suit their needs and preferences.

What are some of the things shoppers expect of luxury online retail platforms today?

The usual mix consists of choice, convenience and price. But increasingly, the overall experience plays a stronger and stronger differentiating factor.

How does a brand decipher what platform to start with?

There is no "one size fits all" answer, as it all depends on the brand's objectives and its situation in China. While this topic is often reduced to considerations regarding traffic and audience, brands should also consider the platforms in regards to what they can offer in terms of logistics, experience, promotion or innovation.

What are some of the biggest misconceptions that luxury brands have when it comes to their e-commerce approach?

Launching on an e-commerce platform neither creates demand nor builds brand equity. The right merchandise and activation does. Also, because most of the luxury brands are at an early stage of their development, they tend to think that a single partner is required to develop e-commerce. Offline distribution strategies are complex and often executed together with numerous partners, proper merchandising and well thought-out product tiering strategies – there is no reason for an e-commerce approach to be addressed any differently.

Learn more about e-commerce strategy at the Luxury Society Keynote 2018. Seats are going fast, so register for a spot here now! We can also be reached at [email protected] for all other enquiries.

Meaghan Corzine
Meaghan Corzine

Writer at Luxury Society

Before joining the editorial team at Luxury Society, Meaghan was based out of New York City writing for CBS New York and NBC Universal. A Washington-D.C. native, Meaghan also wrote for Washington Life Magazine while studying journalism at university. After moving to Switzerland in 2016, she went on to contribute to Metropolitan Magazine and CBS affiliates before joining the LS team.

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