LEADERS

The Cultural Fight of Hermès

by

Lilian M Raji

|

This is the featured image caption
Credit: This is the featured image credit

Lilian M Raji, president of The Lilian Raji Agency, weighs in on the ongoing battle between the family-owned Hermès and corporate giant LVMH

Over the last decade, collaborations between luxury brands and contemporary artists have gone beyond mere artistic partnerships towards a new kind of luxury branding.

PARIS – Art and fashion have always developed side by side, for fashion, like art, often gives visual expression to the cultural zeitgeist. During the 1920s, Salvador Dalí created dresses for Coco Chanel and Elsa Schiapparelli. In the 1930s, Ferragamo’s shoes commissioned designs for advertisements from Futurist painter Lucio Venna, while Gianni Versace commissioned works from artists such as Alighiero Boetti and Roy Lichtenstein for the launch of his collections. Yves Saint Laurent’s vast art collection, recently auctioned at Christie’s in Paris, testified to his great love of art and revealed the influence of a variety of artists on his own designs.

In the 1980s, relationships between luxury brands and artists were advanced when Alain Dominique Perrin created the Fondation Cartier. In the Fondation Cartier pour l’Art Contemporain, a book marking the foundation’s 20th anniversary, Perrin says he makes “a connection between all the different sorts of arts, and luxury goods are a kind of art. Luxury goods are handicrafts of art, applied art.”

The Fondation Cartier pour l’Art Contemparain building in Paris

Lilian M Raji, president of The Lilian Raji Agency, weighs in on the ongoing battle between the family-owned Hermès and corporate giant LVMH

A teaser for the Hermès film “Hearts and Crafts”

Lilian M Raji, president of The Lilian Raji Agency, weighs in on the ongoing battle between the family-owned Hermès and corporate giant LVMH.

I received an invitation to preview the Hermès film “Hearts and Crafts” on their website lesmainsdHermès.com. The film tells the story of the many who work hard to manufacture our beloved Hermès products. I’m not too fond of watching anything on my laptop since an honest effort to pay attention always turns into a multitasking campaign, as I simultaneously listen to (instead of watch), while checking emails and doing my weekly research into the affairs of the grand world of luxury. This film, however, made me stop, look and listen.

Perhaps its because I’m now learning French and am always looking for opportunities to practice my listening (the film is entirely in French with subtitles), or more likely, because the film’s message resonated dramatically to me as someone who advises companies on how to build great luxury brands. Hermès has now, for me, become the epitome of a luxury company for which all others should be compared.

“ No conglomerate can sustain the type of employee morale that Hermès clearly has with its manufacturing team ”

I can already hear a million declarations around the world of “mais bien sûr!” upon reading that last sentence. I am certainly well aware of Hermès’ battle with Bernard Arnault, CEO of LVMH, in his attempts to takeover of the Hermès family business – or as he sees it, his involvement as a “friendly” long-term shareholder. In its presentation of the Hermès manufacturing family, this film clearly shows why Mr. Arnault should want to acquire such a distinguished company. At the same time, the film also demonstrates why Hermès must remain independent.

No conglomerate can sustain the type of employee morale that Hermès clearly has with its manufacturing team. And despite Mr. Arnault’s position that “LVMH is aiming to be a supportive long-term shareholder of Hermès, and wants to contribute to the preservation of the group’s Frenchness and its family-firm attributes”, the road to corporate greed in the form of profits over heritage is paved with similar promises from corporations who aggressively takeover unwilling family businesses.

“ LVMH is aiming to be a supportive long-term shareholder of Hermès, and wants to contribute to the preservation of the group’s Frenchness and its family-firm attributes – Bernard Arnault ”

This, of course, affirms what Hermès CEO Patrick Thomas has said from the beginning:

“There is a part of our world that is playing on abundance, on glitz and glamour. And there is another part that is concentrated on refinement, and basically making beautiful objects. We don’t want to be a part of this financial world which is ruining companies and dealing with people like they are goods or raw materials. It’s not a financial fight, because we would lose that. It’s a cultural fight."

And it is, in fact, this cultural fight embodied in the hearts of the Hermès team that makes Hermès the type of company any budding luxury brand should seek to ascend.

Throughout the film, we’re introduced to several team members, some just starting and some who’ve been with the company for many, many years. We meet Michaël, the former soprano who now conducts a symphony with the Hermès leather he cuts and crafts; Michel, the jeweler who doubles as an artist, with precious metals as his brush and a regard for the desires of the Hermès customer as his metaphorical canvas; Ali, the hearing impaired polisher whose celebrated triumph against multiple obstacles is reflected back to him in the metals he joyfully polishes; and Delphine, granddaughter of a silk painter, who follows her family heritage by designing the colorful Hermès scarves adored by all.

“ We don’t want to be a part of this financial world which is ruining companies and dealing with people like they are goods or raw materials – Hermès CEO, Patrick Thomas ”

Of the many we meet throughout this journey into the heart of Hermès, one unnamed member stood out most with a simple and pure confession that speaks to what make Hermès an exceptional company: “I do my best from start to finish. I’ve learned a lot and still do. I’m still learning after 40 years. I’m 58. I get up every morning. I don’t like having to do it, but I do love going to work. Here in the workshop, I think we all agree that we love our jobs and try to do our very best.”

Take a moment to consider this statement. But first, consider those who would rather stay up until 4am than arise at 9am to begin work; those who would rather daydream about working at a different company than focus on the task before them; and those who discreetly sabotage their present employer because they’re afraid to pursue their preferred career. Now consider those who would say “I really hate waking up early in the morning, but I love going to work”, and think about how they express this love in their work.

“ Employment becomes less about salary and more about the pride they feel within themselves for the work they produce ”

Passion is the greatest motivator. And those who have it for their profession will painstakingly ensure that every responsibility for which they are charged is completed with utmost perfection; their employment becomes less about salary and more about the pride they feel within themselves for the work they produce. It is this pride we sense in Hermès products that motivates us as customers to add just one more scarf to our already overwhelming collection. And it is this same pride we borrow when we’re complimented by strangers on our Hermès possessions.

Show me a company that has such a passionate manufacturing team as is witnessed in this film and you have identified a true luxury company that offers a very sound financial investment, both in the products we buy and the shares available in the company. To all who would seek advice on how to create a great luxury brand – start with making your employees feel great. Their sentiment will be shown in the impeccable work they produce. That production lures customers who sense a pride in your craftsmanship, and thus begin to trust in the lasting quality of your merchandise. Thereafter, they come to believe that your company is great.

As for Mr. Arnault, after viewing this film, I certainly understand why he wants to possess Hermès. However, there are some things in this world that should only be admired from afar. For in our possession, that thing loses the luster which drew us to it in the first place.

Lilian M Raji
Lilian M Raji

President

Lilian Raji began her career in public relations as an intern at a local boutique agency, where she was quickly retained as a contract account executive to manage client accounts including The Palm Restaurant, Q100 Radio, The Hamilton Crowne Plaza, IndeCorp Hotels Group and Vespa Motor Scooters. Major accomplishments on behalf of the agency include coordinating a national book tour for Simon Property Group’s sponsorship of the acclaimed veteran’s book “Ordinary Heroes”; executing a promotional event for The Palm Restaurant and the Atlanta Financial Center that increased lunch traffic at the Palm by 35%; successfully negotiating feature placement of Raffles International Hotels & Resorts’ Beverly Hills property on Live with Regis & Kelly, W Magazine’s coveted anniversary spa issue, and Spa Finder magazine; organizing a media tour of several Raffles properties in Latin America; and generating interest of both the Oprah Winfrey Show to have Raffles’ Chicago property become a preferred hotel and the Style Network to shoot programs at their Beverly Hills property. She left the boutique to begin freelancing while working simultaneously at Tourneau, the largest luxury watch retailer in the world. Lilian first learned what motivated luxury purchases while working at Tourneau. The second highest producer in the Atlanta store, she routinely sold expensive Swiss watches to an elite clientele who saw these purchases as necessary luxuries. Her interim at Tourneau placed her at a great vantage point to study why people indulge in luxury purchases. In January 2005, Lilian left Tourneau to launch The Lilian Raji Agency, a company defined by her passion for building relationships between customers who value luxury and the luxury brands who cater to them. A year later, she was named the International Emerging Leader of the Year by the 500,000 member organization, eWomenNetwork. Lilian has worked with Girard Perreguex and Tourneau in their sponsorship of the 2004 Ferrari Challenge at Road Atlanta, where 80% of the Challenge attendees later visited her at Tourneau. She managed promotions and publicity for InterContinental Hotels Group “Win a Trip to Tuscany” Raffle, securing $13,000 in raffle sales in less than six weeks; chaired a subcommittee for the American Heart Association’s 2005 Atlanta Heart Ball, where she personally raised $260,000 in jewelry donations for the live and silent auctions; opened lines of communication between Mark Edge Jewelry and the Elton John AIDS Foundation for Mark Edge to become a signature Foundation designer; and increased ad sales by 165% for the southeast chapter of the National Academy of Television, Arts and Sciences 2005 EMMY Awards while decreasing expenses by securing sponsors. She’s served on event committees for Ted Turner’s Captain Planet Foundation; UNICEF; Southern Center for International Studies; American Heart Association; and American Cancer Society’s annual Cattle Baron’s Ball. Her proudest accomplishment has been helping a disabled young man raise $60,000 in four weeks for The Emory Ataxia Center at Emory University School of Medicine through the “Swimming for Ataxia” Fundraiser. Lilian continues to be submerged in studying the buying habits of luxury buyers, and discovery of how better communication strategies can influence their purchase decisions. She routinely meets with the French Trade Commission to advise on best marketing strategies for prestige French companies looking to enter the American market. Her insights have resulted in measurable ROI for clients of The Lilian Raji Agency, including French luxury goods company ST Dupont, Swiss watch manufacturer Dubey & Schaldenbrand, French jewelry manufacturer Mathon Paris and several others.

LEADERS

The Cultural Fight of Hermès

by

Lilian M Raji

|

This is the featured image caption
Credit : This is the featured image credit

Lilian M Raji, president of The Lilian Raji Agency, weighs in on the ongoing battle between the family-owned Hermès and corporate giant LVMH

Over the last decade, collaborations between luxury brands and contemporary artists have gone beyond mere artistic partnerships towards a new kind of luxury branding.

PARIS – Art and fashion have always developed side by side, for fashion, like art, often gives visual expression to the cultural zeitgeist. During the 1920s, Salvador Dalí created dresses for Coco Chanel and Elsa Schiapparelli. In the 1930s, Ferragamo’s shoes commissioned designs for advertisements from Futurist painter Lucio Venna, while Gianni Versace commissioned works from artists such as Alighiero Boetti and Roy Lichtenstein for the launch of his collections. Yves Saint Laurent’s vast art collection, recently auctioned at Christie’s in Paris, testified to his great love of art and revealed the influence of a variety of artists on his own designs.

In the 1980s, relationships between luxury brands and artists were advanced when Alain Dominique Perrin created the Fondation Cartier. In the Fondation Cartier pour l’Art Contemporain, a book marking the foundation’s 20th anniversary, Perrin says he makes “a connection between all the different sorts of arts, and luxury goods are a kind of art. Luxury goods are handicrafts of art, applied art.”

The Fondation Cartier pour l’Art Contemparain building in Paris

Lilian M Raji, president of The Lilian Raji Agency, weighs in on the ongoing battle between the family-owned Hermès and corporate giant LVMH

A teaser for the Hermès film “Hearts and Crafts”

Lilian M Raji, president of The Lilian Raji Agency, weighs in on the ongoing battle between the family-owned Hermès and corporate giant LVMH.

I received an invitation to preview the Hermès film “Hearts and Crafts” on their website lesmainsdHermès.com. The film tells the story of the many who work hard to manufacture our beloved Hermès products. I’m not too fond of watching anything on my laptop since an honest effort to pay attention always turns into a multitasking campaign, as I simultaneously listen to (instead of watch), while checking emails and doing my weekly research into the affairs of the grand world of luxury. This film, however, made me stop, look and listen.

Perhaps its because I’m now learning French and am always looking for opportunities to practice my listening (the film is entirely in French with subtitles), or more likely, because the film’s message resonated dramatically to me as someone who advises companies on how to build great luxury brands. Hermès has now, for me, become the epitome of a luxury company for which all others should be compared.

“ No conglomerate can sustain the type of employee morale that Hermès clearly has with its manufacturing team ”

I can already hear a million declarations around the world of “mais bien sûr!” upon reading that last sentence. I am certainly well aware of Hermès’ battle with Bernard Arnault, CEO of LVMH, in his attempts to takeover of the Hermès family business – or as he sees it, his involvement as a “friendly” long-term shareholder. In its presentation of the Hermès manufacturing family, this film clearly shows why Mr. Arnault should want to acquire such a distinguished company. At the same time, the film also demonstrates why Hermès must remain independent.

No conglomerate can sustain the type of employee morale that Hermès clearly has with its manufacturing team. And despite Mr. Arnault’s position that “LVMH is aiming to be a supportive long-term shareholder of Hermès, and wants to contribute to the preservation of the group’s Frenchness and its family-firm attributes”, the road to corporate greed in the form of profits over heritage is paved with similar promises from corporations who aggressively takeover unwilling family businesses.

“ LVMH is aiming to be a supportive long-term shareholder of Hermès, and wants to contribute to the preservation of the group’s Frenchness and its family-firm attributes – Bernard Arnault ”

This, of course, affirms what Hermès CEO Patrick Thomas has said from the beginning:

“There is a part of our world that is playing on abundance, on glitz and glamour. And there is another part that is concentrated on refinement, and basically making beautiful objects. We don’t want to be a part of this financial world which is ruining companies and dealing with people like they are goods or raw materials. It’s not a financial fight, because we would lose that. It’s a cultural fight."

And it is, in fact, this cultural fight embodied in the hearts of the Hermès team that makes Hermès the type of company any budding luxury brand should seek to ascend.

Throughout the film, we’re introduced to several team members, some just starting and some who’ve been with the company for many, many years. We meet Michaël, the former soprano who now conducts a symphony with the Hermès leather he cuts and crafts; Michel, the jeweler who doubles as an artist, with precious metals as his brush and a regard for the desires of the Hermès customer as his metaphorical canvas; Ali, the hearing impaired polisher whose celebrated triumph against multiple obstacles is reflected back to him in the metals he joyfully polishes; and Delphine, granddaughter of a silk painter, who follows her family heritage by designing the colorful Hermès scarves adored by all.

“ We don’t want to be a part of this financial world which is ruining companies and dealing with people like they are goods or raw materials – Hermès CEO, Patrick Thomas ”

Of the many we meet throughout this journey into the heart of Hermès, one unnamed member stood out most with a simple and pure confession that speaks to what make Hermès an exceptional company: “I do my best from start to finish. I’ve learned a lot and still do. I’m still learning after 40 years. I’m 58. I get up every morning. I don’t like having to do it, but I do love going to work. Here in the workshop, I think we all agree that we love our jobs and try to do our very best.”

Take a moment to consider this statement. But first, consider those who would rather stay up until 4am than arise at 9am to begin work; those who would rather daydream about working at a different company than focus on the task before them; and those who discreetly sabotage their present employer because they’re afraid to pursue their preferred career. Now consider those who would say “I really hate waking up early in the morning, but I love going to work”, and think about how they express this love in their work.

“ Employment becomes less about salary and more about the pride they feel within themselves for the work they produce ”

Passion is the greatest motivator. And those who have it for their profession will painstakingly ensure that every responsibility for which they are charged is completed with utmost perfection; their employment becomes less about salary and more about the pride they feel within themselves for the work they produce. It is this pride we sense in Hermès products that motivates us as customers to add just one more scarf to our already overwhelming collection. And it is this same pride we borrow when we’re complimented by strangers on our Hermès possessions.

Show me a company that has such a passionate manufacturing team as is witnessed in this film and you have identified a true luxury company that offers a very sound financial investment, both in the products we buy and the shares available in the company. To all who would seek advice on how to create a great luxury brand – start with making your employees feel great. Their sentiment will be shown in the impeccable work they produce. That production lures customers who sense a pride in your craftsmanship, and thus begin to trust in the lasting quality of your merchandise. Thereafter, they come to believe that your company is great.

As for Mr. Arnault, after viewing this film, I certainly understand why he wants to possess Hermès. However, there are some things in this world that should only be admired from afar. For in our possession, that thing loses the luster which drew us to it in the first place.

Lilian M Raji
Lilian M Raji

President

Lilian Raji began her career in public relations as an intern at a local boutique agency, where she was quickly retained as a contract account executive to manage client accounts including The Palm Restaurant, Q100 Radio, The Hamilton Crowne Plaza, IndeCorp Hotels Group and Vespa Motor Scooters. Major accomplishments on behalf of the agency include coordinating a national book tour for Simon Property Group’s sponsorship of the acclaimed veteran’s book “Ordinary Heroes”; executing a promotional event for The Palm Restaurant and the Atlanta Financial Center that increased lunch traffic at the Palm by 35%; successfully negotiating feature placement of Raffles International Hotels & Resorts’ Beverly Hills property on Live with Regis & Kelly, W Magazine’s coveted anniversary spa issue, and Spa Finder magazine; organizing a media tour of several Raffles properties in Latin America; and generating interest of both the Oprah Winfrey Show to have Raffles’ Chicago property become a preferred hotel and the Style Network to shoot programs at their Beverly Hills property. She left the boutique to begin freelancing while working simultaneously at Tourneau, the largest luxury watch retailer in the world. Lilian first learned what motivated luxury purchases while working at Tourneau. The second highest producer in the Atlanta store, she routinely sold expensive Swiss watches to an elite clientele who saw these purchases as necessary luxuries. Her interim at Tourneau placed her at a great vantage point to study why people indulge in luxury purchases. In January 2005, Lilian left Tourneau to launch The Lilian Raji Agency, a company defined by her passion for building relationships between customers who value luxury and the luxury brands who cater to them. A year later, she was named the International Emerging Leader of the Year by the 500,000 member organization, eWomenNetwork. Lilian has worked with Girard Perreguex and Tourneau in their sponsorship of the 2004 Ferrari Challenge at Road Atlanta, where 80% of the Challenge attendees later visited her at Tourneau. She managed promotions and publicity for InterContinental Hotels Group “Win a Trip to Tuscany” Raffle, securing $13,000 in raffle sales in less than six weeks; chaired a subcommittee for the American Heart Association’s 2005 Atlanta Heart Ball, where she personally raised $260,000 in jewelry donations for the live and silent auctions; opened lines of communication between Mark Edge Jewelry and the Elton John AIDS Foundation for Mark Edge to become a signature Foundation designer; and increased ad sales by 165% for the southeast chapter of the National Academy of Television, Arts and Sciences 2005 EMMY Awards while decreasing expenses by securing sponsors. She’s served on event committees for Ted Turner’s Captain Planet Foundation; UNICEF; Southern Center for International Studies; American Heart Association; and American Cancer Society’s annual Cattle Baron’s Ball. Her proudest accomplishment has been helping a disabled young man raise $60,000 in four weeks for The Emory Ataxia Center at Emory University School of Medicine through the “Swimming for Ataxia” Fundraiser. Lilian continues to be submerged in studying the buying habits of luxury buyers, and discovery of how better communication strategies can influence their purchase decisions. She routinely meets with the French Trade Commission to advise on best marketing strategies for prestige French companies looking to enter the American market. Her insights have resulted in measurable ROI for clients of The Lilian Raji Agency, including French luxury goods company ST Dupont, Swiss watch manufacturer Dubey & Schaldenbrand, French jewelry manufacturer Mathon Paris and several others.

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