CONSUMERS

Single-brand Retail Remains a Key Driver of Luxury Growth

by

Sophie Doran

|

This is the featured image caption
Credit: This is the featured image credit

The key takeaways from Fondazione Altagamma’s 2012 Retail Insight event in Milan

Over the last decade, collaborations between luxury brands and contemporary artists have gone beyond mere artistic partnerships towards a new kind of luxury branding.

PARIS – Art and fashion have always developed side by side, for fashion, like art, often gives visual expression to the cultural zeitgeist. During the 1920s, Salvador Dalí created dresses for Coco Chanel and Elsa Schiapparelli. In the 1930s, Ferragamo’s shoes commissioned designs for advertisements from Futurist painter Lucio Venna, while Gianni Versace commissioned works from artists such as Alighiero Boetti and Roy Lichtenstein for the launch of his collections. Yves Saint Laurent’s vast art collection, recently auctioned at Christie’s in Paris, testified to his great love of art and revealed the influence of a variety of artists on his own designs.

In the 1980s, relationships between luxury brands and artists were advanced when Alain Dominique Perrin created the Fondation Cartier. In the Fondation Cartier pour l’Art Contemporain, a book marking the foundation’s 20th anniversary, Perrin says he makes “a connection between all the different sorts of arts, and luxury goods are a kind of art. Luxury goods are handicrafts of art, applied art.”

The Fondation Cartier pour l’Art Contemparain building in Paris

The key takeaways from Fondazione Altagamma’s 2012 Retail Insight event in Milan

Louis Vuitton’s Taipei 101 Maison

The key takeaways from Fondazione Altagamma’s 2012 Retail Insight event in Milan

“When we talk about retail, we are talking about an increasingly divided world,” explained Claudio Luti, president of Fondazione Altagamma, at its 2012 Retail Insight event in Milan. “Both in regards to the channels, and in terms of the so-called methods of consumer engagement by the brands, especially through the spread of digital technology.”

Fondazione Altagamma, Italy’s luxury lobby group, this week presented three studies on high-end retail and the online presence of the brands in the segment. Concluding that retail integration is the winning formula for high-end brands, whose strategies increasingly focus on single-brand channels such as flagship stores, e-commerce, shop-in-shops, and outlets, in both traditional markets and in new ones.

“ The development of retail has been the main driver of luxury brand growth over the last 20 years ”

Retail Evolution

– The development of retail has been the main driver of luxury brand growth over the last 20 years.

– Increasing the number of single-brand stores quickly and directly increases sales.

– That said, loss in revenue is equally rapid until the store network reaches the correct size.

– Growth has proceeded in parallel with the integration of different retail channels, especially the Internet.

– Minor players must find new solutions to cope with the dilemma of fixed retail costs through ‘Click and mortar’, the integration between physical and online stores.

“ Rapid shopping mall development in China brought a glut of retail space supply ”

Retail Profitability in China

– Rapid shopping mall development in China brought a glut of retail space supply

– In recent years, developers eager to fill their creations have let retail space at significantly lower rental costs in China – when compared to rental costs in Europe, Japan or the United States

– Coupled with lower personnel costs, Chinese directly owned stores have been some of the most globally profitable

– Yet many of these leases were offered on a short term basis, as they come up for renewal rental costs for brands will increase

– Personnel costs in China are also on the rise, threatening profitability

“ The digital retail channel is the fastest growing in the high end sector, representing €6.2 billion ”

Digital Luxury Experience

– The digital retail channel is the fastest growing in the high end sector.

– The online sale of luxury goods represents €6.2 billion, equivalent to 3.2% of total sales.

– When considering the ‘indirect effect’ (sales made in stores but directly generated by online decision making) the channel represents €17.5 billion or 10% of total luxury sales.

– Over the next decade, Asia and South America will be the most promising ‘geographical’ markets for overall growth.

– 72% of consumers use online search to compare products before purchase, using an average of four different information sources.

To further investigate Retailing on Luxury Society, we invite you to explore the related materials as follows:

China’s Luxury E-Commerce Market Heads In A New Direction
The Latest Boutiques: Hublot, Breguet & Assouline
Thinking of Blanketing the World with Boutiques? Think Again

Sophie Doran
Sophie Doran

Creative Strategist, Digital

Sophie Doran is currently Senior Creative Strategist, Digital at Karla Otto. Prior to this role, she was the Paris-based editor-in-chief of Luxury Society. Prior to joining Luxury Society, Sophie completed her MBA in Melbourne, Australia, with a focus on luxury brand dynamics and leadership, whilst simultaneously working in management roles for several luxury retailers.

CONSUMERS

Single-brand Retail Remains a Key Driver of Luxury Growth

by

Sophie Doran

|

This is the featured image caption
Credit : This is the featured image credit

The key takeaways from Fondazione Altagamma’s 2012 Retail Insight event in Milan

Over the last decade, collaborations between luxury brands and contemporary artists have gone beyond mere artistic partnerships towards a new kind of luxury branding.

PARIS – Art and fashion have always developed side by side, for fashion, like art, often gives visual expression to the cultural zeitgeist. During the 1920s, Salvador Dalí created dresses for Coco Chanel and Elsa Schiapparelli. In the 1930s, Ferragamo’s shoes commissioned designs for advertisements from Futurist painter Lucio Venna, while Gianni Versace commissioned works from artists such as Alighiero Boetti and Roy Lichtenstein for the launch of his collections. Yves Saint Laurent’s vast art collection, recently auctioned at Christie’s in Paris, testified to his great love of art and revealed the influence of a variety of artists on his own designs.

In the 1980s, relationships between luxury brands and artists were advanced when Alain Dominique Perrin created the Fondation Cartier. In the Fondation Cartier pour l’Art Contemporain, a book marking the foundation’s 20th anniversary, Perrin says he makes “a connection between all the different sorts of arts, and luxury goods are a kind of art. Luxury goods are handicrafts of art, applied art.”

The Fondation Cartier pour l’Art Contemparain building in Paris

The key takeaways from Fondazione Altagamma’s 2012 Retail Insight event in Milan

Louis Vuitton’s Taipei 101 Maison

The key takeaways from Fondazione Altagamma’s 2012 Retail Insight event in Milan

“When we talk about retail, we are talking about an increasingly divided world,” explained Claudio Luti, president of Fondazione Altagamma, at its 2012 Retail Insight event in Milan. “Both in regards to the channels, and in terms of the so-called methods of consumer engagement by the brands, especially through the spread of digital technology.”

Fondazione Altagamma, Italy’s luxury lobby group, this week presented three studies on high-end retail and the online presence of the brands in the segment. Concluding that retail integration is the winning formula for high-end brands, whose strategies increasingly focus on single-brand channels such as flagship stores, e-commerce, shop-in-shops, and outlets, in both traditional markets and in new ones.

“ The development of retail has been the main driver of luxury brand growth over the last 20 years ”

Retail Evolution

– The development of retail has been the main driver of luxury brand growth over the last 20 years.

– Increasing the number of single-brand stores quickly and directly increases sales.

– That said, loss in revenue is equally rapid until the store network reaches the correct size.

– Growth has proceeded in parallel with the integration of different retail channels, especially the Internet.

– Minor players must find new solutions to cope with the dilemma of fixed retail costs through ‘Click and mortar’, the integration between physical and online stores.

“ Rapid shopping mall development in China brought a glut of retail space supply ”

Retail Profitability in China

– Rapid shopping mall development in China brought a glut of retail space supply

– In recent years, developers eager to fill their creations have let retail space at significantly lower rental costs in China – when compared to rental costs in Europe, Japan or the United States

– Coupled with lower personnel costs, Chinese directly owned stores have been some of the most globally profitable

– Yet many of these leases were offered on a short term basis, as they come up for renewal rental costs for brands will increase

– Personnel costs in China are also on the rise, threatening profitability

“ The digital retail channel is the fastest growing in the high end sector, representing €6.2 billion ”

Digital Luxury Experience

– The digital retail channel is the fastest growing in the high end sector.

– The online sale of luxury goods represents €6.2 billion, equivalent to 3.2% of total sales.

– When considering the ‘indirect effect’ (sales made in stores but directly generated by online decision making) the channel represents €17.5 billion or 10% of total luxury sales.

– Over the next decade, Asia and South America will be the most promising ‘geographical’ markets for overall growth.

– 72% of consumers use online search to compare products before purchase, using an average of four different information sources.

To further investigate Retailing on Luxury Society, we invite you to explore the related materials as follows:

China’s Luxury E-Commerce Market Heads In A New Direction
The Latest Boutiques: Hublot, Breguet & Assouline
Thinking of Blanketing the World with Boutiques? Think Again

Sophie Doran
Sophie Doran

Creative Strategist, Digital

Sophie Doran is currently Senior Creative Strategist, Digital at Karla Otto. Prior to this role, she was the Paris-based editor-in-chief of Luxury Society. Prior to joining Luxury Society, Sophie completed her MBA in Melbourne, Australia, with a focus on luxury brand dynamics and leadership, whilst simultaneously working in management roles for several luxury retailers.

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